Definition of
Tango
He tango it’s a musical genre and dance from Rio de la Platapopular in the urban area of Argentina and Uruguay. Its musical form is binary (theme and chorus) and has a compass of two times four.
On a musical level, tango is usually performed by a typical orchestra or sextet with instruments such as the bandoneon, the piano, the violin, the guitar and the double bass. As for the letters, they are usually based on the slang (the jargon River Plate) and express heartbreak or political claims. Enrique Santos Discépolo (1901-1951), Francisco Canaro (1888-1964), Osvaldo Pugliese (1905-1995), Catulus Castillo (1906-1975), edmundo rivero (1911-1986), Anibal Troilo (1914-1975), Mariano Mores (1918) and Astor Piazzolla (1921-1992) are some of the main tango composers.
Among the singers and singers of tango, stands out Carlos Gardel (1890-1935), the maximum symbol of the genre. It is still disputed whether he was born in France or in Uruguayalthough he lived from his childhood in Argentina and died in a plane crash in Colombia. His artistic contribution exceeded the limits of music, as he also He acted in several films and succeeded in Hollywood.
Alberto Castillo (1914-2002), aunty merello (1904-2002), Roberto Goyeneche (1926-1994), chestnut chub (1942) and Adriana Varela (1952) are other very popular tango singers.
- tango vocal technique
- The dance
- Related Topics Tree
tango vocal technique
The vocal technique necessary to sing tango is somewhat particular: it could be said that it falls somewhere between those used in popular and lyrical music. While there have been many great performers who didn’t hone their talents, the demands have grown in recent decades and it’s rare for today’s artist not to have an academic background.
Unlike opera, there are no restrictions on the key in which a tango should be performed; likewise, most of the pieces can be sung by men and women interchangeably. It is possible to appreciate the variety of contributions that arises from such freedom when comparing different versions of the same tango; listening to Julio Sosa, Carlos Gardel and Roberto Goyenechefor example, very diverse nuances are perceived, both for the color and range of each voice and for the interpretation.
The myth of Carlos Gardel is equivalent to that of personalities like Maria Callas and Barbra Streisand, who enjoyed an unusual voice, combined with an interpretative power capable of moving the masses. The attention should not rest on your vocal technique, although in the case of gardel It is admirable, but not in the beauty that emanates from her vocal chords, in the intensity of the feelings that she paints in the air with her notes, transcending culture, taste and time.
It can serve you: Vocal
The dance
As for the dance, it is a choreographic dance that develops from the couple’s embrace. It is a sensual dance that, at the beginning of the twentieth century, was practiced only in nightclubs, since it was prohibited for incitement to lust. There are multiple tango steps that make it a very complex dance and not suitable for beginners.
Curiously, tango seems to be more appreciated in countries like Japan and England what in Argentina. It is possible to take dance lessons almost anywhere in the world, with teachers of various nationalities; there are also tango competitions that bring together international dancers every year. This phenomenon is not massive nor does it have the media attention that breakdancing does, but both are equally fascinating.
Tango, opera and hip-hop represent three of the musical genres with the most international repercussions and in all cases it is shown that the true spirit of music does not pay attention to linguistic or cultural issues; when you notice the passion of a person who dedicates his whole life to perfecting an art, his phonetics or his level of knowledge of foreign history does not matter much.
See also: Impact